Διαγωνιστικό Τμήμα (10)
Ελλάδα/Greece, 2019, εγχρ./col.
Σκην./Dir.: Μίνως Νικολακάκης/Minos Nikolakakis | Σεν./Scr.: John de Holland, Μίνως Νικολακάκης/Minos Nikolakakis | Φωτ./Cin.: Θεόδωρος Μιχόπουλος/Thodoros Mihopoulos | Μοντ./Ed.: Γιώργος Γεωργόπουλος/Giorgos Georgopoulos | Μουσ/Mus.: Σωτήρης Δεμπόνος/Sotiris Debonos | Ηθ./Cast: Προμηθέας Αλειφερόπουλος/Prometheus Aleifer, Αναστασία - Ραφαέλα Κονίδη/Anastasia Rafaella Konidi, Κώστας Λάσκος/Kostas Laskos, Μάνος Βακούσης/Manos Vakousis, John de Holland | Παρ./Prod.: Μίνως Νικολακάκης/Minos Nikolakakis, Λιλέτ Μπόταση/Lilette Botasi, Ελληνικό Κέντρο Κινηματογράφου/ Greek Film Center, EΡΤ/ERT SA, Multivision, Authorwave, Melancholy Star, Inkas Film & T.V. Productions | Sales: Inkas Films and Minos Nikolakakis - This email address is being protected from spambots. You need JavaScript enabled to view it. | Διάρκεια/ Dur.:89’
Panos is a young doctor who leaves city life behind him in order to offer his services in a remote village. There, he falls in love with a peasant girl, Danae, who lives in complete isolation, as she suffers from a rare condition that causes her skin to resemble tree bark. Determined to cure her Panos will soon discover that things are not quite what they seem.
The film is the director’s debut full-length feature. Nikolakakis, who co-penned the script with John de Holland, started the development of the project at Talents Sarajevo where he won the Pack and Pitch Award, at MIDPOINT, in Balkan Film Connection in Belgrade and in the Istanbul Film Festival’s Meetings on the Bridge.
Σερβία/Serbia, Μαυροβούνιο/Montenegro, 2019, εγχρ./col.
Σκην./Dir.: Ana Maria Rossi | Σεν./Scr.: Ana Maria Rossi, Maja Todorovic | Φωτ./ Cin.: Maja Radosevic | Ηθ./Cast: Natasa Ninkovic, Sergej Trifunovic | Παρ./ Prod.: Biberche, Filmski centar Srbije | Sales: BIBERCHE productions - This email address is being protected from spambots. You need JavaScript enabled to view it. | Διάρκεια/ Dur.: 107’
Vida and Bane, a married couple, have been living in Scandinavia for a long time. They both have successful careers, enough money to live a decent life, but they do not have children. Now that they are 40, the couple’s reality is: nostalgia and the lack of communication.
Ana Maria Rossi’s debut full-length feature
Ελλάδα/Greece, 2019, εγχρ./col.
Σκην./Dir.: Παναγιώτης Πορτοκαλάκης/Panayiotis Portokalakis | Σεν./Scr.: Παναγιώτης Πορτοκαλάκης/Panayiotis Portokalakis, Ηλίας Μαγκλίνης (βασισμένο στο ομότιτλο μυθιστόρημά του) / Ilias Magklinis (based on his book by the same name) | Φωτ./Cin.: Παναγιώτης Βασιλάκης/Panagiotis Vasilakis | Μοντ./ Ed.: Ιωάννα Σπηλιοπούλου/Ioanna Spiliopoulou | Ηθ./Cast: Πηνελόπη Τσιλίκα/ Penelope Tsilika , Γιώργος Κέντρος/Yiorgos Kendros, Θέμης Πάνου/Themis Panou |Παρ./Prod.: Γιώργος Κυριάκος/George Kyriakos, Κώστας Λαμπρόπουλος/Costas Labropoulos, Ελληνικό Κέντρο Κινηματογράφου/ΕΚΚ, Ε.Ρ.Τ./ERT | Sales: Viewmaster Films -
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| Διάρκεια/ Dur.: 80’
When an aggressive young girl realizes that the relationship with her father is poisoning her behavior, discouraging anyone who is trying to love her, she decides to search out the past of her tortured by the military junta father. Official selection at the 60th Thessaloniki International Film Festival.
Σερβία/Serbia, 2019, εγχρ./col.
Σκην./Dir.: Miroslav Terzic | Σεν./Scr.: Elma Tataragic | Φωτ./Cin.: Damjan Radovanovic | Μοντ./Ed.: Milena Z. Petrovic | Μουσ./Mus.: Aleksandra Kovac | Ηθ./Cast: Snezana Bogdanovic, Marko Bacovic, Jovana Stojiljkovic |
Παρ./Prod.: Filmski centar Srbije | Sales: Cercamon -
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| Διάρκεια/ Dur.: 105’
The film tells the story of a woman who, 20 years after she was coldly informed of her newborn’s sudden death, still believes that the infant was stolen from her.
Τουρκία/Turkey,Γερμανία/Germany, Γαλλία/France, 2019, εγχρ./col.
Σκην./Dir.: Serhat Karaaslan | Σεν./Scr.: Serhat Karaaslan | Φωτ./Cin.: Meryem Yavuz | Μοντ./Ed.: Ali Aga | Μουσ./Mus.: Ayse Önder, Ümit Önder | Ηθ./Cast: Berkay Ates, Saadet Aksoy |
Παρ./Prod.: 90 Film Production, Departures Film, Silex Films | Sales: Bac Films -
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| Διάρκεια/ Dur.: 96’
An employee of a prison censorship office steals the photo of an inmate’s wife from a letter and becomes obsessed with her.
FEDEORA Award for Serhat Karaaslan at Karlovy Vary Film Festival.
Ουκρανία/Ukraine, 2019, εγχρ./col.
Σκην./Dir.: Antonio Lukich | Σεν./Scr.: Valeria Kalchenko, Antonio Lukich | Φωτ./ Cin.: Illya Egorov | Μοντ./Ed.: Alexander Chorny | Ηθ./Cast: Irma VitovskaVantsa, Andriy Lidagovskiy |
Παρ./Prod.: Toy Cinema, Ukrainian State Film Agency (supported by) | Sales: Alief, Brett Walker -
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| Διάρκεια/ Dur.: 104’
Vadim is twenty-two and he’s a sound engineer. He’s moving permanently to Canada in three months. Before his departure he’s assigned to record the voice of a very rare bird, which dwells only in the Transcarpathian mountains of Ukraine.
The debut full-length feature of director Antonio Lukich.The film premiered at the Karlovy Vary International Film Festival and won the Special Jury Prize in the East of the West competition.
Ολλανδία/Netherlands | Λουξεμβούργο/Luxembourg | Ελλάδα/Greece | Γαλλία/France, 2019, εγχρ./col.
Σκην./Dir.: Sepideh Farsi | Σεν./Scr.: Sepideh Farsi | Φωτ./Cin.: Pantelis Mantzanas | Μοντ./Ed.: Bonita Papastathi, Marie-Pierre Frappier | Ηθ./Cast: Marisha Triantafyllidou, Vaia Kathiotou | Παρ./Prod.: Ciné-Sud Promotion, Volya Films, Tarantula | Sales: Cine-Sud Promotion & Pan Enterntainment - This email address is being protected from spambots. You need JavaScript enabled to view it. | Διάρκεια/ Dur.: 90’
Maria is a Greek policewoman, struggling with her money problems, teenage daughter, old mother and the crisis in her country, that affects her professionally. Yussof is a Syrian rebel, on his way out of a war-ridden Syria to go to Europe. Both have killed unwontedly, both feel guilty, but together, they will find some inner peace.
Βέλγιο/Belgium, Ολλανδία/Netherlands, 2019, εγχρ./col.
Σκην./Dir.: Bas Devos | Σεν./Scr.: Bas Devos | Φωτ./Cin.: Grimm Vandekerckhove | Μοντ./Ed.: Bas Devos, Dieter Diependaele | Μουσ./Mus.: Brecht Ameel | Ηθ./ Cast: Saadia Bentaïeb | Παρ./Prod.: 10.80 Films, Minds Meet, Quetzalcoatl | Sales: Rediance Films - This email address is being protected from spambots. You need JavaScript enabled to view it. | Διάρκεια/ Dur.: 85’
After a long day at work, a woman falls asleep on the last subway train. When she wakes up at the end of the line, she has no choice but to make her way home on foot. On her nocturnal journey she will meet some other inhabitants of the night.
The film screened in the Cannes Directors’ Fortnight.
Ελλάδα/Greece, 2019, εγχρ./col.
Σκην./Dir.: Βασίλης Μαζωμένος/Vassilis Mazomenos | Σεν./Scr.: Βασίλης Μαζωμένος/Vassilis Mazomenos | Φωτ./Cin.: Φώτης Μήτσης/Fotis Mitsis | Μοντ./ Ed.: Κώστας Τατάρογλου/Kostas Tataroglou | Μουσ./Mus.: Αλέξανδρος Χρηστάρας/Alexandros Christaras, Μιχάλης Νιβολιανίτης/Michalis Nivolianitis | Ηθ./ Cast: Στέφανος Κακαβούλης/Stefanos Kakavoulis, Δημήτρης Σιγανός/Dimitris Siganos, Αγγελική Καριστινού/Angeliki Karistinou | Παρ./Prod.: Horme Pictures, Alatas Films, Arctos Films | Sales: Horme Pictures This email address is being protected from spambots. You need JavaScript enabled to view it. | Διάρκεια/ Dur.: 110’
Aris, a desperate man, attempts to leave Greece with an almost wrecked boat. After being rescued from certain drowning by some Coast Guard men, he now returns as a foreigner to his own ruined country. There he experiences every kind of "sin" and extreme as an outcast of the system. He steals; he becomes a slave and kills. He tries, willingly, to survive off the beaten track. Is this the story of a modern Ulysses or the nightmare of an ordinary man?
Official selection at the 60th Thessaloniki International Film Festival.
Γαλλία/France, 2019, εγχρ./col.
Σκην./Dir.: Alain Cavalier | Σεν./Scr.: Alain Cavalier, Emmanuèle Bernheim | Μοντ./Ed.: Françoise Widhoff | Ηθ./Cast: Alain Cavalier, Emmanuèle Bernheim | Παρ./Prod.: Caméra One, Arte France Cinéma (co-production), Arte France | Sales: The Festival Agency, Elodie Dupont
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| Διάρκεια/Dur.: 98’
Alain Cavalier and Emmanuèle Bernheim start preparing a film based on the novelist’s autobiography which touches on her relationship with her father following a cardiovascular accident.