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Αφιέρωμα Αντουανέττα Αγγελίδη - Αλίντα Δημητρίου (4)

Ελλάδα/Greece, 2009, εγχρ./col.

Σκην./Dir.: Αλίντα Δημητρίου/Alinda Dimitriou | Σεν./Scr.: Αλίντα Δημητρίου/ Alida Dimitriou | Διάρκεια/ Dur.: 98’

Alinda  Dimitriou’s  documentary  ‘’Among  the  Rocks’’  refers  to  women who fought in the Civil War. After the signing of the Treaty of  Varkiza,  33  women  witness  how  they  managed  to  escape  to  the mountains while others were arrested and condemned to life imprisonment, executed or sent into exile.

“Among the Rocks” is the second part of a trilogy that highlights the feistiness and strength of the female soul via personal accounts and evidence. It follows “Birds in the Mire” (2008) and is followed by “The Girls of the Rain” (2012).

poylia sto valto alinta dimitriouΕλλάδα/Greece, 2008, εγχρ./col.
Σκην./Dir.: Αλίντα Δημητρίου/Alinda Dimitriou | Σεν./Scr.: Αλίντα Δημητρίου/ Alinda Dimitriou | Διάρκεια/ Dur.: 104’

The  documentary  depicts  the  role  of  women  during  extreme  historical   events.   More   specifically,   the   film   refers   to   the   participation and contribution of women to the Greek Resistance during  the  German  Occupation  as  well  as  to  the  tortures  they  suffered. The film is based on the oral testimonies of those women that survived.

“Birds in the Mire” is the first part of a trilogy followed by “Among the Rocks” and “The Girls of the Rain” that highlights the feistiness and strength of the female soul via personal accounts and evidence.

OiOres1Ελλάδα/Greece, 1995, εγχρ./col. Σκην./Dir.: Αντουανέττα Αγγελίδη/Antouanetta Angelidi | Σεν./Scr.: Αντουανέττα Αγγελίδη/Antouanetta Angelidi | Φωτ./Cin.: Κατερίνα Μαραγκουδάκη/Katerina Maragoudaki | Μοντ./Ed.: Ιωάννα Σπηλιοπούλου/Ioanna Spiliopoulou | Μουσ/ Mus.: Δημήτρης Καμαρωτός/Dimitris Kamarotos | Ηθ./Cast: Κάτια Γέρου/Katia Gerou | Παρ./Prod.: Ελληνικό Κέντρο Κινηματογράφου/Greek Film Center, ΥΠΕΡΙΩΝ Α.Ε./Hyperion, MEDIA Programme of the European Union, European Script Fund | Διάρκεια/Dur.: 85’

A poetic experimental film. A journey which leads to the discovery and  final  acceptance  of  the  personal  vision  through  an  alternate  scenery, where good and evil constantly change forms as the final destination  becomes  clearer  and  clearer:  The  deeper  repressed  memory.
Ministry of Culture State Quality Awards, Thessaloniki 1996, Best Quality Film Award.

kleftis-i-i-pragmatikotita-screenshot1Ελλάδα/Greece, 2001, εγχρ./col.
Σκην./Dir.: Αντουανέττα Αγγελίδη/Antouanetta Angelidi | Σεν./Scr.: Αντουανέττα Αγγελίδη//Antouanetta Angelidi, Rea Wallden | Φωτ./Cin.: Ηλίας Κωνσταντακόπουλος/ Elias Kostandakopoulos | Μοντ./Ed.: Ιωάννα Σπηλιοπούλου/Ioanna Spiliopoulou | Μουσ/Mus.: Θόδωρος Αμπαζής/Thodoris Abazis | Ηθ./Cast: Άντζελα Μπρούσκου/ Angela Brouskou, Κατερίνα Καραγιάννη/Katerina Karayanni, Νίκος Παντελίδης/Nikos Pantelidis, Έβρη Σοφρονιάδου/Evri Sophroniadou  | Παρ./Prod.: Αντουανέττα Αγγελίδη/ Antouanetta Angelidi, Ελληνικό Κέντρο Κινηματογράφου/ Greek Film Center,  Ελληνική Τηλεόραση ΕΤ-1/Greek Television ET-1, Town Film | Διάρκεια/ Dur.: 83’

Antouanetta  Angelidi’s  experimental  and  highly  allegorical  film  is  divided  into  three  independently  existing  segments:  The  Net,  The  Dice  and  Free  Will,  each  one  representing  a  philosophical  idea.  These segments intertwine because of the involvement of the Thief who is the connecting link between the three reality perspectives.

According to Antouanetta Angelidi the film explores: The different levels of reality that can be experienced, the realization that we are all mortals. And finally, the film is an ongoing conversation with European culture.