New York College's students short films

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Καληνύχτα

Καληνύχτα
Goodnight

Ελλάδα/Greece, 2017, εγχρ./col.

Σκην./Dir. - Σεν./Scr. - Μοντ./Ed.: Θάνος Κερμίτσης/Thanos Kermitsis | Φωτ.Cin. Αντώνης Αποστόλου/Antonis Apostolou | Hθ./Cast: Γιώργος
Τριανταφυλλίδης, Τάσος Δεδές, Νατάσσα Εξηνταβελόνη/Giorgos Triantafillides, Tasos Dedes, Natassa Exintaveloni| Παρ./Prod.: Βαρβάρα Κοντονή, Χρήστος Κυριακόπουλος, Γιώργος Χουλιάρας/Varvara Kontoni, Christos Kiriakopoulos, Giorgos Chouliaras | Διάρκεια/Dur.: 35’

The world as we know it, is destroyed. Athens, is in ruins. Everybody tries to find a way to survive. Everybody except Kostas, who is searching for Vicky, trying to understand why they broke up. And when a Greek man comes across love, survival is no longer a priority.

THE METHOD  CAPTURED

Η Μέθοδος
The Method: Captured

Ελλάδα/Greece, 2017, εγχρ./col.

Σκην./Dir.: Χάρης Γιουλάτος/Haris Gioulatos | Φωτ./Cin.: Γιώργος Χρυσαφάκης/Giorgos Chrysafakis | Μοντ./Ed.: Γιώργος Χρυσαφάκης/Giorgos Chrysafakis | Μουσ./Mus.: Βασίλης Ποδάρας/Vassilis Podaras | Παρ./Prod.: Wonderspot Media | Διάρκεια/Dur.: 13’

It was an October’s night in 1967, at 3 o’clock after midnight, when the bell rung in Periklis Korovesis house. That was the beginning
of months-long imprisonment and tortures. “The Method”, is the attempt of P. Korovesis to describe his experience. The film won the Best Documentary Award in Drama’s Short Film Festival.

 εξώφυλλο

Εντατικοποίηση του συναισθήματος
Intensification Of Sentiment

Ελλάδα/Greece, 2017, μ.α/b.w.

Σκην./Dir.- Σεν./Scr.: Ελεάνα Πλέσσα/Eleanna Plessa | Μοντ./Ed.: Μιχάλης Καλιδώνης/Michalis Kalidonis | Hθ./Cast: Εριέττα Καραβίτη, Δήμητρα Τσιλιπουνιδάκη, Νεφέλη Σαμούχου/Erietta Karaviti, Dimitra Tsilipounidaki, Nefeli Samouhou | Διάρκεια/Dur.: 5,17’

3 years, 3 persons, 3 levels of escalating paranoia. As the levels evolve, the person experiences a severance from his reason and from himself. The film points out how the psychological pain is an incurable illness, that drives the person to physical, brain and
psychological decay.

Κήπος

Τελευταία μέρα στον κήπο
Last Day in the Garden

Ελλάδα/Greece, 2017, εγχρ./col.

Σκην./Dir.: Αλέξης Μαγιάρ Αγγελόπουλος/Alexis Mayar Aggelopoulos | Σεν./Scr.: Αλέξης Μαγιάρ Αγγελόπουλος/Alexis Mayar Aggelopoulos | Φωτ./Cin.: Αλέξης Μαγιάρ Αγγελόπουλος/Alexis Mayar Aggelopoulos | Μοντ./Ed.: Μιχάλης Καλιδώνης/Mihalis Kalidonis | Μουσ./Mus.: Αλέξης Μαγιάρ Αγγελόπουλος/Alexis Mayar Aggelopoulos | Hθ./Cast: Νίκος Σκαρέντζος/Nikos Skarentzos | Διάρκεια/Dur.: 4.58’

A 55-year-old Athenian makes his last stroll to his favorite National Garden before emigrating abroad in order to find a job, due to the long-term economic crisis.

some dreams

Some Dreams

Ελλάδα/Greece, 2017, εγχρ./col.

Σκην./Dir.: Ιάσων Τζαβέλλας/Jason Tzavellas | Σεν./Scr.: Ιάσων Τζαβέλλας/Jason Tzavellas | Φωτ./Cin.: Ιάσων Τζαβέλλας/Jason Tzavellas | Μοντ./Ed.: Ιάσων Τζαβέλλας/Jason Tzavellas | Hθ./Cast: Ναταλία Κυρίκου/Natalia Kirikou | Διάρκεια/Dur.: 3.41’

The subconscious psychological transitions of a woman in absolute despair.

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