PROGRAMME

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POSTER

 

Πρόγραμμα

Θανάση Πάρε Τo Όπλο σουΕλλάδα/Greece, 1972, εγχρ./col. 

Σκην./Dir.: Ντίνος Κατσουρίδης/Dinos Katsouridis | Σεν./Scr.: Ντίνος Κατσουρίδης/Dinos Katsouridis, Λάζαρος Μοντανάρης/Lazaros Montanaris | Φωτ./ Cin.: Γιώργος Αρβανίτης/Giorgos Arvanitis | Μοντ./Ed.: Ντίνος Κατσουρίδης/ Dinos Katsouridis | Ηθ./Cast: Θανάσης Βέγγος/Thanasis Vengos, Εφη Ροδίτη/ Efi Roditi, Αντώνης Παπαδόπουλος/Antonis Papadopoulos | Παρ./Prod.: Ντίνος Κατσουρίδης/Dinos Katsouridis | Διάρκεια/ Dur.: 93'

Still owing his truck to his employer, Thanasis, a kind, hard-working lorry driver tries to make ends meet and help his sister get married. One day he receives a call from a young girl who was evicted from her house and needs him to carry her belongings. Together these two will face people’s cruelty and society’s injustice. 

Thessaloniki  Film  Festival  (1972):  Greek  Competition  Award  for  Best  Actor  (Thanasis Vengos) and Special Award for Best Set Decoration (Tasos Zografos).

yoyo 3Γαλλία/France, 1965, μ/α/b&w  Σκην./Dir.: Pierre Étaix | Σεν./Scr.: Jean-Claude Carrière, Pierre Étaix | Φωτ./Cin.: Jean Boffety | Μοντ./Ed.: Henri Lanoë | Μουσ./Mus.: Jean Paillaud | Ηθ./Cast: Pierre Étaix, Claudine Auger, Luce Klein, Philippe Dionnet | Παρ./Prod.: C.A.P.A.C. | Διάρκεια/ Dur.: 97’

A wealthy man recalls his lost love, a circus dancer; he is unaware of her whereabouts for many years. After the 1929 stock market crash, the man loses his vast fortune, and so is free to join the wandering circus and find his loved one.

The  film  was  awarded  the  1965  Grand  Prix  Jeunesse  at  the  Cannes  Film  Festival  and  the  First  Prize  of  the  International  Catholic  Organization  for  Cinema and Audiovisual (OCIC).

Ο Κλέψας του Κλέψαντος 3Ιταλία/Italy, 1958, μ/α/b&w 

Σκην./Dir.: Mario Monicelli | Σεν./Scr.: Agenore Incrocci, Furio Scarpelli, Agenore Incrocci, Furio Scarpelli, Suso Cecchi D’Amico, Mario Monicelli | Φωτ./Cin.: Gianni Di Venanzo | Μοντ./Ed.: Adriana Novelli | Μουσ./Mus.: Piero Umiliani | Ηθ./Cast: Vittorio Gassman, Renato Salvatori, Memmo Carotenuto, Rossana Rory, Carla Gravina, Claudia Cardinale, Marcello Mastroianni | Παρ./Prod.: Cinecittà (Stabilimenti Cinematografici), Lux Film, Vides Cinematografica | Διάρκεια/ Dur.: 111’

A gang of petty thieves attempt the burglary of a local pawnshop. However, this Italian job is doomed from the start.

Silver Seashell for Mario Monicelli at San Sebastián International Film Festival.

Les vacances de Monsieur Hulot 1Γαλλία/France, 1953, μ/α/b&w  Σκην./Dir.: Jacques Tati | Σεν./Scr.: Jacques Tati, Pierre Aubert, Jacques Lagrange, Henri Marquet | Φωτ./Cin.: Jacques Mercanton, Jean Mousselle | Μοντ./Ed.: Suzanne Baron, Charles Bretoneiche, Jacques Grassi | Μουσ./Mus.: Alain Romans | Ηθ./Cast: Jacques Tati, Nathalie Pascaud, Micheline Rolla | Παρ./Prod.: Discina Film, Cady Films, Specta Films | Διάρκεια/ Dur.: 89'

Monsieur Hulot, a clumsy but sympathetic middle aged single man, arrives at a beachside hotel to spend his summer vacation. There he accidentally (but good-naturedly) causes havoc.

This  marks  the  first  film  appearance  of  Jacques  Tati’s  iconic  character,  Monsieur Hulot, and is considered to be one of the greatest comedies in the history of cinema

Monty Pythons The Meaning of Life 602 HighΗνωμένο Βασίλειο/UK, 1983, εγχρ./col. Σκην./Dir.: Terry Jones, Terry Gilliam | Σεν./Scr.:  Monty Python, Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin | Φωτ./Cin.:  Peter Hannan | Μοντ./Ed.: Julian Doyle | Μουσ./Mus.: John Du Prez | Ηθ./Cast: Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin | Παρ./ Prod.: Celandine Films, The Monty Python Partnership, Universal Pictures | Διάρκεια/ Dur.:  112’

Why are we here and what’s it all about? The Monty Python-team is trying to sort out the most important question on Earth: what is the meaning  of  life?  The  film  consists  of  a  series  of  distinct  sketches,  broken  into  chapters,  exploring  the  various  stages  in  a  man’s  life,  from birth to death.

The film won the Special Jury Grand prize at the Cannes film festival.

BARRY LYNDON2ΗΠΑ/USA, 1975, εγχρ/col.

Σκην./Dir.: Stanley Kubrick | Σεν./Scr.: Stanley Kubrick, William Makepeace Thackeray | Φωτ./Cin.: John Alcott | Μοντ./Ed.: Tony Lawson | Μουσ./Mus.:  J.S. Bach, Antonio Vivaldi, Paisiello, Wolgang Amadeus Mozart, Franz  Schubert | Ηθ./Cast: Ryan O’Neal, Marisa Berenson, Patrick Magee | Παρ./Prod.: Stanley Kubrick, Warner Bros. | Διάρκ./Dur.: 185΄

The rise and fall of the adult life of Redmond Barry. Α young, roguish Irishman who’s traveling the battlefields and parlors of eighteenth century Europe determined to make for himself the life of a nobleman through seduction, gambling, and duelling until he wins the heart of a rich widow and assumes her dead husband’s aristocratic position.

Many of the shots were composed and filmed in order to evoke certain eighteenth-century paintings, especially those by Thomas Gainsborough.

CLOCKWORK ORANGE 1ΗΠΑ/USA, 1971, εγχρ/col.

Σκην./Dir.: Stanley Kubrick | Σεν./Scr.: Stanley Kubrick, Anthony Burgess | Φωτ./ Cin.: John Alcott | Μοντ./Ed.: Bill Butler | Μουσ./Mus.: Wendy Carlos | Ηθ./ Cast: Malcolm McDowell, Patrick Magee, Michael Bates | Παρ./Prod.:  Stanley Kubrick, Warner Bros | Διάρκ./Dur.: 136΄

In the future, the violent and psychopath delinquent Alex, leader of a gang of ultra-violent criminal teenagers who kill, steal and rape, falls into the hands of the police. Arrested, Alex turns guinea pig for experiments intended to curb the destructive impulses of men and solve the society’s crime problems, but ends up becoming powerless to deal with the violence that surrounds him.

Before the rape scene was filmed, Adrienne Corri (a blonde in the film) walked up to Malcolm McDowell and said: "Well, Malcolm, today you’re going to find out I’m a real redhead".

Dr Strangelove 3ΗΠΑ/USA, 1964, μ&α/b&w

Σκην./Dir.: Stanley Kubrick | Σεν./Scr.: Stanley Kubrick, Terry Southern | Φωτ./ Cin.: Gilbert Taylor | Μοντ./Ed.: Anthony Harvey| Μουσ./Mus.: Laurie Johnson | Ηθ./Cast: Peter Sellers, George C. Scott, Sterling Hayden | Παρ./Prod.:  Stanley Kubrick/ Columbia Pictures | Διάρκ./Dur.: 95΄

Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff the US President.

Peter Sellers was the first actor to be nominated for a single Academy award (best actor) for a film in which he portrayed three different characters in the same film.


LOLITA1ΗΠΑ/USA, 1962, μ&α/b&w

Σκην./Dir.: Stanley Kubrick | Σεν./Scr.: Βασισμένο στο ομότιτλο μυθιστόρημα του/based on the novel of the same title by Vladimir Nabokov | Φωτ./Cin.: Oswald Morris | Μοντ./Ed.: Anthony Harvey | Μουσ./Mus.: Nelson Riddle | Ηθ./Cast: James Mason, Shelley Winters, Sue Lyon | Παρ./Prod.:  James B. Harris | Διάρκ./Dur.: 153΄

Α divorced British professor of French literature travels to smalltown in America for a teaching position. There he allows himself to be swept into a relationship with his widowed and sexually famished landlady. He eventually marries her in order to pursue her 14-year-old flirtatious daughter, Lolita, with whom he has fallen hopelessly in love.

Sue Lyon went horseback riding everyday after filming. Stanley Kubrick told her: "If you get thrown, roll over. Don’t hurt your face".

PATHS OF GLORY1ΗΠΑ/USA, 1957, μ&α/b&w

Σκην./Dir.: Stanley Kubrick | Σεν./Scr.: Stanley Kubrick, Calder Willingham | Φωτ./Cin.: George Krause | Μοντ./Ed.: Eva Kroll | Μουσ./Mus.: Gerald Fried | Ηθ./Cast: Kirk Douglas, Ralph Meeker, Adolphe Menjou | Παρ./Prod.:  Stanley Kubrick/ Bryna Productions | Διάρκ./Dur.: 88΄

The futility and irony of war in the trenches of WWI. A unit commander in the French army must deal with a glory-seeking general who’s accusing his soldiers of cowardice after their refusal to attack an enemy position. At the same time, as their commanding officer, he has to defend his men for their mutiny.

Winston Churchill said that the film was a highly accurate depiction of trench warfare and the sometimes misguided workings of the military mind.

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